Made from sustainably-sourced exotic and native tonewoods. No clear-cut trees are used in these instruments. Breedlove uses salvaged and individually harvested timber and has deep relationships with responsible suppliers around the globe. As we move towards sustainability across all lines, owner Tom Bedell has visited 15 countries to discover exactly where the wood comes from, how it is selected and harvested, and how this affects the wildlife, the community, the forest and the planet.
Bassists want to bring the thunder for “unplugged” sessions, too! Breedlove’s sustainable Discovery S Concert Edgeburst Bass CE Guitar, fashioned with new, earth-conscious, sonically superior EcoTonewood technology lets bass players get down with nature as well as with the band.
An acoustic-electric workhorse, outfitted with Fishman Presys I electronics, this remarkably comfortable Concert body instrument delivers rich, round tone from a classic combination of clear-voiced Sitka spruce and warm, responsive African mahogany.
A 32” scale, satin-finish neck puts every deep note within easy reach. An eye-popping gloss finish, soft cutaway and asymmetrical headstock give this bass a sleek modern look to match its sleek modern sound.
Discover the Breedlove ECO Collection—where the guitar meets the forest.
ECOTONEWOOD BACK & SIDES
With EcoTonewood, Breedlove makes laminate technology sustainable, introducing a resonant core tonewood layer of clear-cut free, individually harvested African mahogany in place of the typical tone-robbing softwoods used in standard acoustic guitar manufacture. Coupled with Breedlove’s deep research into revolutionary body shapes; building to target tonewood weight adds to the optimized, natural sound of each guitar in the ECO Collection. And, Breedlove creates these better sounding laminate guitars while being kind to the earth while maintaining an accessible, entry-level price-point.
Breedlove EcoTonewood—it’s where music meets the trees.
SOLID WOOD TOPS
Along with its body shape, a guitar’s top is the defining element of its sound, driving, through its vibration, the key aspects of volume, tone, sustain and projection. Spruce will, due in part to its famous stiffness-to-weight ratio, ring loud and clear. A solid wood top translates those vibrations with more immediacy and purity of tone, and reacts more directly with the intent of a player. If you are at an intermediate level or above, you will appreciate the instantly recognizable benefits of a solid wood top.
- Body Type Concert
- Neck Wood African Mahogany
- Solid Wood Top Sitka spruce
- Layered Back & Sides African Mahogany
- Top Finish Edgeburst
- Back & Side Finish Natural gloss
- Fretboard Ovangkol
- # Frets 22
- Nut Width 1.65"
- Tuners Hardware Chrome Closed Gear
- Lower Bout Width 15.37"
- Waist Width 9"
- Upper Bout Width 11.28"
- Body Length 19.875"
- Body Depth 3.58" (Neck) 4.2" (Tailblock)
- String Gauge D' Addario EXP-170
- Pickup Fishman Presys I
- Bridge Ovangkol
- Binding Black
- Inlay Centered dots
- Scale Length 32"
- Sound Hole 3.94”
- Designed in Bend, OR USA. Crafted in China